Twitter Delicious Facebook Digg Stumbleupon Favorites More

8.23.2010

Two Essential Web Tools For Musicians


These are only two of a countless number of resources available to musicians on the internet. These two have proven to be very useful to me.

ArtistData: ArtistData is a unique service that allows musicians to "push" news, blogs,status updates,and show listings from the ArtistData Dashboard to all of the major social and music networking sites. If you are a musician who is spending tons of time reposting the same information to all of your websites, you know how awesome this is. They have recently teamed with SonicBids.


Google Apps: This one may seem a bit strange to some of you, but think about it. Google offers free web applications that allow you to access important information (calendars, files, email, etc,) from any internet enabled computer on the planet. Be creative with these services and use them to your advantage. Say for instance that your band has purchased a domain through Google. Set up email accounts with that domain for everyone that needs to be involved. This could included merch crew, managers, agents, etc. This way you can all share important information anywhere you go. You won't have to worry about having a wasted rehearsal because the vocalist forgot their lyric sheet. You put the lyrics on Google docs and you can print them off on your computer. Make sure everyone has the performance schedule for the next two months by syncing your calendars. The uses are endless!


What are your favorite web tools/stratigies?

8.19.2010

Yes... We're Going Have To Go Right To Ludicrous Speed

Yesterday I decided to redo my website... AGAIN.
I just wasn't happy with the integration that my other layout provided me. I had to click all these different links to find out basic information. I couldn't figure out how to make it so twitter updates could feed right to the site and still look decent. I wanted something more streamlined. I wanted something that had a blog as the main feature so I could deliver tasty morsels of information right away instead of making people click around to find them. I know it's only a few extra seconds to click a link and then load a new page, but this is 2010, we just can't wait that long!

What you are visiting now is the new face of walkerjanelle.com. It has everything the old site had, all in one place, without the lengthy load times thanks to CSS. I like it a lot better, and I think you will too! I've even added an RSS feed from MusicianWages.com so you can see what David and company are writing about over there. It really is an invaluable resource once you dive into their forums and archives. If you are a working musician, subscribe to their blog, you won't regret it.



One thing that I picked up from MW.com was a great new resume layout/design (read David's article here) I thought I would share that with you all.

Check it out! My favorite thing is the time-line in the "experience" section, and the "skill set" graph. The "skill set" graph makes me feel like I am a character in some sort of crazy RPG game, and I need to gain experience to level up those pesky traits.

For those seeking a copy of this resume, I created a tab at the top of this site that lets you download the resume directly from Google docs. If you are a musician and you don't know how to use Google docs, contacts, or any other service that lets you access and share information/files from any computer, you are putting yourself at a disadvantage. Learn to use these modern internet tools, they can only help you out.

Over in Lakewood we are in our final weekend of the musical GYPSY. It has been a great run, with a great cast/crew/orchestra, but I am ready for the next great adventure!

Speaking of... 8 days till I leave for the Caribbean/Bahamas as a musician for Carnival Cruise Lines!

8.14.2010

Musicianwages.com - A Great Resource For Working Musicians

Hey all,

I just wanted to share this blog that I found last week with everyone!
It's called Musicianwages.com and it is a great resource for all of us working musicians, especially those interested in cruise ship employment. Right now, it also features some great articles on DIY aspects of music.

Check it out, you won't regret it!

8.06.2010

Cymbals!

Here are some pictures of some of my amazing Saluda cymbals!





Also, I just got my Flip UltraHD video camera in the mail yesterday! I'm charging it right now in hopes of capturing some entertaining video from the orchestra pit at GYPSY!

8.03.2010

Repost: "What Does The Web Say About You?"

If you are in a band, or are a musician trying to make it in the big, bad world, you should check out this blog about online presence as a performing artist. Some really, great advice that should get everyone thinking!

I stole this from the DiscMakers blog. Check it out!

The following article was originally posted on Music Consultant Rick Goetz’s website – MusicianCoaching.com.


Recently I was approached by an artist through my website who wanted me to listen to his music. His pitch was that he had thousands of fans but just needed help “getting to the next level” with his music. I was kind of perplexed by email because quite frankly if someone has thousands of real fans – they don’t need a music business consultant and they won’t have any problems getting a qualified manager and agent on board if they want them. I did what most people would do – I turned to the web for answers.

A search for his band name yielded only a MySpace page and one reference on a blog that spoke about a show they were on with a dozen other groups. I did get back to this guy, but then again I am in the business of selling a service to musicians – not in the business of finding artists to partner with (like a manager, agent, publisher etc). Had I been a manager, I think the email would not have been returned.

His email reminded me of two things that are amazingly important for all artists to keep in mind these days about their image and their business.

1. Don’t B.S., because in the digital age you are going to get caught.
2. What comes back on your brand from a Search Engine Results Page (SERP) is more and more important every day.

I don’t think I have to elaborate on thought number one – we allegedly all learn not to lie in Kindergarten in spite of forgetting it now and then. The second thought though, your web presence, is something you absolutely have to make a concerted effort at building and maintaining.

I often interview my music industry contacts to get their opinion on getting ahead in the music business pertaining to their niche in the industry. Invariably these people all say the same thing. “What gets my attention is when an artist demonstrates to me that they have built a following.”

The first place people look for signs of life in an artist’s career is online. How many MySpace friends or followers on Twitter does the artist have? Do they blog or vlog and do people comment and interact with them on these pages? Has anyone written anything about the group or posted photos or video of them performing live? Does their website or profile pages have signs of life and provide concrete examples that this artist has a community that supports what they do? That last point is key – pure volume of friends on the social networks can be manipulated. Making sure your fans have a place to interact and behave like a supportive community on the other hand can make all the difference in presenting well online.

Back to basics though, It all starts with what you tell the web to tell people about you. Every artist should have his or her own website. MySpace and Facebook are great tools but they are just tools. Having your own website (and no – not a free one) has tons of advantages.

1. Your URL is one of the main things that determine how you rank for the words in your web address (i.e. your band name).
2. With Google Analytics you can know for free how many people visit you – where they are coming from and what parts of your site they are most interested in.
3. You appear much more professional. While not quantifiable, appearances go a long way.

Your website is the place to host the official press shots, the official bio, and the most current news about what is going on with your music. Anyone who (hopefully) would write about you will be using your official page for reference materials, so it is your job to provide it to them. It is also your way of guiding people to visit you on the social networks and connecting with you there. This won’t detract from your website but it will give people an excuse to have a connection with you in places that they are already frequenting. Keep in mind that a website need not cost more than a few hundred dollars to do its job. All it really needs to do is look professional and convey your information and store your media – that’s it.

Speaking of social networks… Yes, they are a required evil. That said – pick and choose your battles. You do not have to be on every last one. My personal favorites for music purposes are:

* MySpace, because it is an industry standard and because it allows you to search users by what other artists they are fans of enabling you to effectively market to fans of similar music. Yes, I realize it is no longer cool but there is still tons of traffic there.
* Facebook, because everyone I have met from the age of six on seems to be on there.
* Twitter, because it is GREAT at driving traffic to things you want people to see.
* LastFM, because it allows you to see what else people who visit your page were listening to.

You need not update these all the time – in fact you can have Facebook and Twitter connected as well as MySpace and Twitter connected. You can also have every social network and your blog connected if you choose to do so through a free service like Ping.FM.

Having a website and a handful of social profiles is great, but let’s also keep in mind that prospective partners want to see that there is a conversation taking place online – a dialogue between you and people who like your music. The artists who seem to be the most versatile and the most enduring in the last few years are the ones who have harnessed the power of the web to ensure there is two-way communication.

Don’t get me wrong – start by just making sure you show up in search results! That’s is absolutely essential and should be everyone’s step one. But what will ultimately sell you to the music business folks is not that you have set up a virtual podium to address the world – what music execs want to see is a tangible demonstration that someone is listening. If you are sending messages out into cyber-space and you get 50-100 comments per post… that’s a great performance indicator.

These are just examples, by all means be creative in how you interact. I have seen everything from Twitter to blogging, podcasts, and video notes from the tour bus as viable ways to engage and build a fan base.

Rick Goetz is a music consultant and musician coach by way of a fifteen year career at major record labels and various online and television projects. For more articles like this you can visit his site, musiciancoaching.com.

7.29.2010

GYPSY: The Musical - Setup!

For the past few weeks I have been given the opportunity to play trap set/percussion in the pit orchestra for Lakewood Theater's production of the musical "Gypsy". I thought that in this post I would describe what sort of equipment/setup I've been working with throughout this production. It's some nerdy music stuff, but hey, that's what this blog is all about!





Normally I never use a "complete" drum kit for musical theater gigs. There are a few reasons for this. The first reason is space. Most orchestra pits (if there even is one in the performance space) are not very large, and you will most likely be sharing that space with at least five other musicians and their instruments. Here is my basic setup for musical theater:

Kick Drum (18x18)
Snare Drum (13x4.5)
Floor Tom (14x11)

13" Saluda Onyx Hi Hats
18" Saluda Decadence Crash or 20" Istanbul Light Ride
(Also pictured: 13" Saluda Decadence Splash)



This drum kit arrangement is the core of my overall setup. Everything is placed within reach from the throne to make fast switches as painless as possible. Musicals almost always call for common percussion sounds like cowbell and woodblock noises. For Gypsy I also use a stand-mounted castanet machine and an egg shaker.


The next piece of equipment I want to talk about is the MIDI keyboard rig. Having a small MIDI controller and an Apple PowerBook G4 equipped with Logic 8/Mainstage 8 has been very helpful to me. It allows me to play a large number of percussion instruments and sound effects in a tight space. While the quality of the sampled sounds may be of concern to some people, I have yet to have a musical director or theatrical director complain because of the sound of MIDI bells or chimes or even timpani! To send the sound to either the board or an amp I use a small Beringher Firewire interface. Because the headphone/audio out jacks on computers tend to break without reason, I think it is important to have some sort of audio interface to make sure you are sending a quality signal to the board.
Here is a list of the equipment I use for the MIDI rig:

Behringer FCA202 Firewire Interface or PreSonus Firepod Interface
M-Audio Evolution 25 Key MIDI Controller
Apple PowerBook G4 or Apple MacBook Pro
Apple Logic Pro 8 w/Mainstage
In-Ear Monitoring System


Thanks for reading!

Check this guy out: Ty Babcox


My friend Ty Babcox did an amazing job taking many of the photos you see on my website. If you are in the Portland area and need great photography work done, look no further than this man. Check out some of his work here: www.pdxeye.com




I'm going to go play drums in the pit for GYPSY at Lakewood Theater, I hope you all have a great day!

7.27.2010

Saluda Cymbals + Fourth Street Custom Drums + Walker = Super Awesomeness!


Greetings everyone!

I am very excited to officially announce my partnership with Saluda Cymbals!

Saluda Cymbals is a boutique cymbal maker based out of South Carolina, and their cymbals are absolutely phenomenal. Not only do they offer some very stunning and unique finishes on their cymbals, but they will customize your cymbals to sound exactly how you want!

Check out their services at www.saludacymbals.com or contact Jamie at info@saludacymbals.com with any questions you might have.

In case you are curious, here is my current Saluda set-up:

13" Onyx Series hi hats (raw, vented bottom cymbal)
18" Decadence Series medium-thin crash (polished raw bell)
20" Onyx Series crash-ride w/rivets
21" Onyx Series dry ride

COMING SOON:

20" Jazz Series light ride w/rivets
21" Jazz Series dry light ride


I also want to give a shout out to Jon and Joe at Fourth Street Drums for giving me the opportunity to work with them to design my kooky little blue acrylic drum set. Whenever I pull those drums out of their cases I always get the funniest looks from musicians in the room (especially other drummers!). At the end of the night though, I always get complements on how great it sounds.

I think the most unique thing about this kit is that none of the drums are stock sizes. When, I designed this kit, I wanted it to be easy to transport, yet still have the ability to cut through amplified music. The sizes are as follows:

Fourth Street Custom Drum Kit:

18x18 Kick Drum
10x6 Rack Tom w/Rims Mount
14x11 Floor Tom


Strange stuff right? Trust me, it sounds awesome!











The fellas at Fourth Street also made me a snare drum that is sort of a mix between a piccolo and a regular snare. Again, this thing sounds freakin' great! I don't use it for louder gigs, but it is a great drum for recording and for lighter music. It is a 13"x4.5" maple shell with brass hardware and a white marine pearl wrap.

If you want custom drums, hit these guys up! They are very professional and easy to deal with. Plus, they have some of the most reasonable prices I have ever seen for custom drums. Trust me, you wont be disappointed!

Thanks for reading!